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DTSTART;TZID=America/Denver:20241102T200000
DTEND;TZID=America/Denver:20241102T213000
DTSTAMP:20260429T100933
CREATED:20250521T203436Z
LAST-MODIFIED:20250521T203436Z
UID:2144-1730577600-1730583000@liviamalossi.com
SUMMARY:
DESCRIPTION:On November 2\, Genevieve F. Lee returns to Bridges Hall of Music for a solo keyboard program of music for piano and harpsichord composed by Beethoven\, Livia Malossi Bottignole\, Chris Castro\, François Couperin\, Antoine Forqueray and Gao Ping – two of which were recently commissioned by Lee. \nA versatile performer of music spanning five centuries\, Genevieve Feiwen Lee has thrilled audiences on the piano\, harpsichord\, toy piano\, keyboard\, and electronics. She enjoys music that challenges her to go outside of her comfort zone to sing\, speak\, act\, and play new instruments. She has appeared as a soloist in France\, Brazil\, Bulgaria\, China\, Poland\, and the Netherlands. She recorded Kurt Rohde’s ONE for speaking pianist (Innova)\, works by Tom Flaherty and Philippe Bodin on Elements (Albany)\, and appears on seven other albums. \nIn the local area\, Lee has been a guest performer with the Los Angeles Philharmonic Chamber Music series at Disney Hall\, Southwest Chamber Music\, Jacaranda\, Piano Spheres and the Hear Now New Music Festival. She’s a founding member of the Mojave Trio and performed in Carnegie Hall with the Garth Newel Piano Quartet. She is the Everett S. Olive Professor of Music at Pomona College. \nCOST Admission is free with open seating\, without tickets. Doors open approximately 30 minutes prior to each performance.
URL:https://liviamalossi.com/event/2144/
LOCATION:Bridges Hall of Music\, 150 E. Fourth Street\, Claremont\, CA\, CA 91711\, United States
CATEGORIES:Concert
ATTACH;FMTTYPE=image/jpeg:https://liviamalossi.com/wp-content/uploads/2025/05/465310937_1065884691441454_1189576908606857275_n.jpg
ORGANIZER;CN="Pomona College":MAILTO:concerts@pomona.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20241020T213000
DTEND;TZID=UTC:20241020T223000
DTSTAMP:20260429T100933
CREATED:20240915T173605Z
LAST-MODIFIED:20240915T173605Z
UID:2014-1729459800-1729463400@liviamalossi.com
SUMMARY:KLANG-ORE @Ferrara Jazz Club
DESCRIPTION:Lorenzo Dari | Klang-Ore Lorenzo Dari\, vibrafono\n[SERICO-TONALE] A CURA DI ISTANTANEA \nKLANG-ORE nasce come un’iniziativa giovanile dalla portata globale\, frutto dell’aspirazione di Lorenzo Dari e Livia Malossi di ampliare il repertorio contemporaneo per vibrafono solista\, un ambito ricco di potenziale ancora inespresso. Il progetto prevede l’esecuzione di otto composizioni appositamente commissionate\, create da compositori emergenti di grande talento provenienti da Italia\, Slovenia e Iran. \nLORENZO DARI Diplomato con il massimo dei voti in percussioni presso il Conservatorio G. Tartini di Trieste nel 2021\, Lorenzo si è specializzato nel repertorio contemporaneo al Conservatorio G.B. Martini di Bologna dal 2020. Nel 2023 ha conseguito il massimo dei voti in composizione presso il Conservatorio F. Venezze di Rovigo e ha studiato sotto la guida di Salvatore Sciarrino all’Accademia Chigiana di Siena. Ha ottenuto numerosi successi in concorsi\, tra cui il 1° posto all’EURITMIA 2018 e il 3° posto a Hallein nel 2020\, oltre a vincere il concorso di composizione “Ragazze e ragazzi. Salvemini 1990” nel 2022. Attivo nelle orchestre dal 2011\, ha collaborato con ensemble rinomati in festival come il Cantiere Internazionale d’Arte di Montepulciano\, Nuova Consonanza a Roma e EXITIME a Bologna. Ha composto 10 opere originali. \nPROGRAMMA \nVahid Eftekhar Hosseini – Such-me\nRiccardo Perugini – Courante Alternatif\nAlessandro Pivetti – Grimoire\nPedram Shekari – La parola perduta\nSimon Kravos – F\nLivia Malossi – Cartografie di un’assenza\nMarco Pedrazzi – Qualche ricordo di te\nLorenzo Dari – Memoria di un Fa immaginario\nAndrea Benedetti – Aedo\nGloria Rodríguez Gil – 220 \nInfoline e prenotazione cena +39 331 4323840 (tutti i giorni dalle 12.00 alle 22.00) jazzclub@jazzclubferrara.com \nIl Jazz Club Ferrara è un circolo Endas. Sottoscrivi la richiesta di ammissione a socio\, o il rinnovo (entrambi tipologia BASIC\, adesione TERRITORIALE) cliccando QUI. Potrai orrispondere l’importo della tessera direttamente in loco. \nPosto Unico 5€ / Gratuito per gli Allievi Conservatorio “G. Frescobaldi” di Ferrara \n 
URL:https://liviamalossi.com/event/klang-ore-ferrara-jazz-club/
LOCATION:Ferrara Jazz Club\, via Rampari di Belfiore\, 167\, Ferrara\, 44121\, Italy
CATEGORIES:Concert
ATTACH;FMTTYPE=image/jpeg:https://liviamalossi.com/wp-content/uploads/2023/05/317794030_1821340298214644_3123717238585851997_n.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20241005T201500
DTEND;TZID=UTC:20241005T213000
DTSTAMP:20260429T100933
CREATED:20240909T081902Z
LAST-MODIFIED:20240909T081937Z
UID:2002-1728159300-1728163800@liviamalossi.com
SUMMARY:Voices of the Violin in Leiden
DESCRIPTION:It is a process that every musician has to deal with at least once in his or her career: the search for a new instrument. Violinist Joseph Puglia had to search for a “new” instrument in 2021\, in the midst of the crown crisis. He tried more than 80 violins\, each with its own character and sound world. Coronavirus-related restrictions made it difficult to play together with other musicians\, and this inspired him to delve into solo violin repertoire: only 1 solo violin. Puglia\, who as a concert violinist is very familiar with contemporary repertoire\, had various composers compose music specifically for this project. Together with the composers\, he pushed the limits of his violin technique and experimented with the variety of sounds a violin can produce. The result of these experiments: playing a violin with Chinese sticks or holding the violin on his knees. \nCasual or not\, Puglia’s search for a new instrument led to a colorful collection of new works for solo violin\, which he performs along with Bach’s masterful Second Partita under the title Voices of a Violin . During this concert\, Puglia will appropriately play his ‘new’ violin: an Italian instrument built by Anselmo Bellosio in 1773. \nProgramma & Musici\n\no.a. Bach Partita no.2 in d BWV 1004  |  Padding 26 Seconds  |  Borzelli presto continuo  |  Moore E is for Elijah  |  de Raaff Encore II  |  Malossi Bottignole Hummingbird Pulse  |  Chrem Comfort\, for Joe  \nUitvoerenden: Joseph Puglia  viool \n\n  \nJoseph Puglia\nAmerican violinist Joseph Puglia studied at the Juilliard School of Music in New York and the Royal Conservatory in The Hague. In 2009 he made his solo debut in the main hall of the Concertgebouw\, where he performed John Adams’ Violin Concerto with Asko|Schönberg conducted by Reinbert de Leeuw. Puglia gives concerts at home and abroad and can be regularly heard as first violinist with Asko|Schönberg \, the Ensemble Intercontemporain and the Netherlands Chamber Orchestra. \nJoseph Puglia – Voices of the Violin
URL:https://liviamalossi.com/event/voices-of-the-violin-in-leiden/
LOCATION:Stadsgehoorzaal Leide\, Breestraat 60\, Leiden\, \, 2311 CS\, Netherlands
CATEGORIES:Concert
ATTACH;FMTTYPE=image/jpeg:https://liviamalossi.com/wp-content/uploads/2024/09/E9A2447-2-ezgif.com-webp-to-jpg-converter.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20240912T160000
DTEND;TZID=UTC:20240912T183000
DTSTAMP:20260429T100933
CREATED:20240807T174203Z
LAST-MODIFIED:20240831T141816Z
UID:1963-1726156800-1726165800@liviamalossi.com
SUMMARY:Happy Ending - Opera Risciò
DESCRIPTION:“Opera Risciò” è una rassegna itinerante di musica classica contemporanea a Villa Borghese\, dove tradizione e innovazione si incontrano. Dal 9 al 13 settembre\, cinque compositori under 35 presentano nuove composizioni per voce e strumento\, eseguite su un golf cart trasformato in palcoscenico mobile. Gli spettatori\, a bordo di un secondo cart\, seguiranno il percorso sonoro attraverso il parco\, esplorando come la musica interagisce con l’ambiente. Ogni giorno\, una nuova composizione sarà eseguita in sei repliche tra le 16:00 e le 18:30\, con partenze ogni 30 minuti. \nIl 12/09 vedrà il suo debutto Happy Ending\, trascrizione delle opere Euridice di Giulio Caccini e Didone di Francesco Cavalli\, realizzata per voce (Simona Ruisi) e fisarmonica (Simone Telari). Happy Ending sceglie di omaggiare queste due opere poiché le due protagoniste vengono strappate al loro destino sciagurato per ritrovare la gioia perduta in un’inaspettata svolta finale. \nIl concerto avverrà\, ripetutamente\, su un Risciò di proprietà dell’Associazione Culturale E45\, che girerà per la città di Roma caricando gli spettatori di fermata in fermata. \n“La magia dell’Opera Lirica all’interno di villa Borghese dal 9 al 13 settembre.” \nL’ingresso è libero su prenotazione: https://www.eventbrite.it/e/opera-riscio-villa-borghese-tickets-1002843541027 \n  \n \n  \nINFO EVENTO:\nOpera Risciò | La Lirica in Carrozza\nGironi e Orari: Dal 9 al 13 settembre dalle 16 alle 18 e 30 – una corsa ogni 30 minuti.\nPunto d’accoglienza:\nViale Goethe\, angolo con Viale della Casina di Raffaello\, di fronte a Casa del Cinema\, Villa Borghese. \nProgramma\nDEBUTTI IN VILLA BORGHESE da lunedì 9 a venerdì 13 settembre\n\nlunedì 09/09 – Butterfly Risciò di Diego Tripodi \nmartedì 10/09 – The Wood di Bernardo Lo Sterzo \nmercoledì 11/09 – L’ombra d’un sorriso di Marco Pedrazzi \ngiovedì 12/09 – Happy Ending di Livia Malossi \nvenerdì 13/09 – Arie e interludi di Alessio Romeo \nun progetto di E45 realizzato con il sostegno di Ministero della Cultura e di SIAE nell’ambito del programma “Per Chi Crea 2024”\, con il patrocinio del Municipio Roma I – Roma Centro e in collaborazione con Nolo Borghese. \nun progetto di  \nE45 \ncon il sostegno di  \nMinistero della Cultura\, SIAE \nnell’ambito del programma  \nPer Chi Crea \ncon il patrocinio di  \nMunicipio Roma I \nin collaborazione con \nNolo Borghese
URL:https://liviamalossi.com/event/happy-ending-opera-riscio/
LOCATION:Villa Borghese\, Roma\, 00197\, Italy
CATEGORIES:Concert
ATTACH;FMTTYPE=image/jpeg:https://liviamalossi.com/wp-content/uploads/2024/08/454568096_922599793218202_7263503857635809031_n.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20240908T170000
DTEND;TZID=UTC:20240908T180000
DTSTAMP:20260429T100933
CREATED:20240508T120718Z
LAST-MODIFIED:20240508T120718Z
UID:1868-1725814800-1725818400@liviamalossi.com
SUMMARY:Gaudeamus Festival - Emine Bostancı
DESCRIPTION:Photo: Lucas Kemper \nfrom Gaudeamus Festival official website
URL:https://liviamalossi.com/event/gaudeamus-festival-emine-bostanci/
CATEGORIES:Concert
ATTACH;FMTTYPE=image/jpeg:https://liviamalossi.com/wp-content/uploads/2024/05/Esmine-Bostanci-Lucas-Kemper-1536x1025-1.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240830
DTEND;VALUE=DATE:20240902
DTSTAMP:20260429T100933
CREATED:20240808T163744Z
LAST-MODIFIED:20240808T163744Z
UID:1973-1724976000-1725235199@liviamalossi.com
SUMMARY:Tai Kwun Contemporary  |  BOOKED: Hong Kong Art Book Fair
DESCRIPTION:TAI KWUN CONTEMPORARY \n\nBOOKED: Hong Kong Art Book Fair\nAugust 30 – September 1\, 2024\n\n\nTai Kwun Contemporary’s BOOKED: Hong Kong Art Book Fair is returning for its sixth edition\, with local\, regional\, and international exhibitors\, from 30 August to 1 September 2024. \n  \nThe Limited Edition Boxed Set is also now available on the HKNME’s website (where you can see some of the illustrations for the book): \nhttps://www.hknme.org/store/p/shapes-songs-limited-edition-boxed-set \nhttps://www.hknme.org/store/p/shapes-songs-limited-edition-boxed-set \n\n\n\n \nshapes songs – limited edition boxed set\n\n16 original prints and 18 musical scores \n\n\n\n\n\n \n\n\n\n\n\n\n\nIn 2023\, Hong Kong New Music Ensemble commissioned composers to create musical duets for young students to perform with their teachers. The compositions incorporate graphic scores\, game pieces\, and traditionally notated works\, bringing together musicians of all levels through a unique journey into contemporary music and art. Shapes songs: the publication is an illustrated scorebook\, consisting of the commissioned scores\, as well as 16 striking illustrations created by four talented Hong Kong artists. These illustrations had been lovingly hand-printed by the team at Hong Kong Open Printshop. \n\n\n\n\n\n\n\n\n\nPublisher: Hong Kong New Music Limited \nPrint curator: Hong Kong Open Printshop \nMusic curator: Samson Young \n\n\n\n\n\n\n\n\n\n16 original prints by: Lam Kin Choi\, Florence Lee\, Eugene Lun\, Hannah Shieh \n18 original musical scores by (in alphabetical order by last name) : Livia Malossi Bottignole\, Santa Bušs\, Felix Cheung\, Seth Cluett\, Bill Dietz\, Kenrick Ho\, Hong Kai-Wang\, Partiparn Jaikampan\, Uri Kochavi\, Matthew Lam\, Vanissa Law\, Law Yuk-mui\, Austin Leung\, James Moore\, Larry Shuen\, Charlotte Tong\, Eagle Wu\, Stephen Yip\, Samson Young \nCollaborating printers: Ho Sheung Yan Nicolas\, Wong Ho Ching Jeannie \nProject supported by: Arts Capacity Development Funding Scheme (ACDFS) to celebrate HKNME’s 15th anniversary (2023-24).
URL:https://liviamalossi.com/event/tai-kwun-contemporary-booked-hong-kong-art-book-fair/
LOCATION:TAI KWUN CONTEMPORARY\, 10 Hollywood Road\, Tai Kwun\, Hong Kong
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://liviamalossi.com/wp-content/uploads/2024/08/02CopsandRobbers.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20240826T193000
DTEND;TZID=UTC:20240826T210000
DTSTAMP:20260429T100933
CREATED:20240508T120615Z
LAST-MODIFIED:20240808T164004Z
UID:1865-1724700600-1724706000@liviamalossi.com
SUMMARY:Cross Mode Premiere at Grachtenfestival
DESCRIPTION:Cross Mode for turkish kemence\, played by Emine Bostancı \nPremiere at Grachtenfestival\, Amsterdam \nPhoto: Lucas Kemper \nfrom Gaudeamus Festival official website
URL:https://liviamalossi.com/event/premiere-emine-bostanci-at-grachtenfestival/
CATEGORIES:Concert
ATTACH;FMTTYPE=image/jpeg:https://liviamalossi.com/wp-content/uploads/2024/05/Esmine-Bostanci-Lucas-Kemper-1536x1025-1.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240713
DTEND;VALUE=DATE:20240716
DTSTAMP:20260429T100933
CREATED:20240602T094721Z
LAST-MODIFIED:20240701T150110Z
UID:1901-1720828800-1721087999@liviamalossi.com
SUMMARY:KLANG-ORE Recording in Madrid
DESCRIPTION:Thanks to the European Mobility Grant\, Lorenzo Dari and Livia Malossi (KLANG-ORE) will travel to Madrid to work on recording an album with Spanish record label Da-Sh Music.
URL:https://liviamalossi.com/event/klang-ore-recording-in-madrid/
LOCATION:Madrid
CATEGORIES:Video & Broadcast
ATTACH;FMTTYPE=image/png:https://liviamalossi.com/wp-content/uploads/2024/06/KLANG-ORE-IG-6.png
ORGANIZER;CN="Da_sh Music":MAILTO:info@dash-music.eu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20240710T200000
DTEND;TZID=UTC:20240710T210000
DTSTAMP:20260429T100933
CREATED:20240701T093259Z
LAST-MODIFIED:20240701T150051Z
UID:1921-1720641600-1720645200@liviamalossi.com
SUMMARY:KLANG-ORE at Espacio Ronda\, Madrid
DESCRIPTION:KLANG-ORE is continuing its travel by reaching Espacio Ronda in Madrid\, where Lorenzo Dari will play the full program of the concert. \n  \nVahid Hosseini (1984)\nsuch-me \nRiccardo Perugini (1996)\nCourante Alternatif \nAlessandro Pivetti (1984)\nGrimoire \nGloria Rodríguez Gil (1972)\n220 \nPedram Shekari (1987)\nLa parola perduta \nSimon Kravos (1999)\nPchlbl \nLivia Malossi (1996)\nCartografie di un’assenza \nAndrea Benedetti (1985)\nAedo. \nMarco Pedrazzi (1994)\nQualche ricordo di te \nLorenzo Dari (2000)\n… eppure i ciliegi sono in fiore…
URL:https://liviamalossi.com/event/klang-ore-at-espacio-ronda-madrid/
LOCATION:Espacio Rod\, Ronda de Segovia\, 50\, Madrid\, Arganzuela\, 28005\, Spain
CATEGORIES:Concert
ATTACH;FMTTYPE=image/png:https://liviamalossi.com/wp-content/uploads/2024/07/KLANG-ORE-IG.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20240705T200000
DTEND;TZID=UTC:20240705T210000
DTSTAMP:20260429T100933
CREATED:20240602T094409Z
LAST-MODIFIED:20240602T100713Z
UID:1896-1720209600-1720213200@liviamalossi.com
SUMMARY:Virtual Landscape - Istantanea Ensemble
DESCRIPTION:Per la rassegna itinerante ideata dalla rete Count-Er-Point\, Istantanea Ensemble replicherà il concerto “Virtual Landscape” \nElisa Prosperi\, voce\nAlma Napolitano\, violino\nPietro Fabris\, viola\nEnrico Mignani\, violoncello\nRocco Castellani\, contrabbasso\nGian Maria Matteucci\, clarinetto\nMichele Fontana\, clarinetto\ne clarinetto basso\nTommaso Ussardi\, direttore \n\nVirtual Landscape\nS. Sciarrino (1947)\nDue risvegli e il vento per soprano\, clarinetti\, violino\, viola e violoncello\nD. Sillato (1972)\nKòrdax per viola\, contrabbasso\, clarinetto\, clarinetto basso\nG. Gurioli (1985)\nColouir de noir per violoncello solo\nA. Santimone (1974)\nThree Pills per clarinetto\, clarinetto basso\, violino\, viola\, violoncello\, contrabbasso\nG. Ligeti (1923-2006)\nDue canti da Sandor Weöres\nRielaborazione per voce\, violino\, violoncello\, e contrabbasso di D. Sillato\nL. Malossi (1996)\nTRANSHUMAN[CE] per violino\, viola e violoncello
URL:https://liviamalossi.com/event/virtual-landscape-istantanea-ensemble/
LOCATION:Teatro di Castelnovo ne’ Monti\, Via Roma\, 75\, Castelnovo ne' Monti\, Reggio Emilia\, 42035\, Italy
CATEGORIES:Concert
ATTACH;FMTTYPE=image/jpeg:https://liviamalossi.com/wp-content/uploads/2024/06/447028731_1166977018053867_6586239344528993613_n.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20240628T100000
DTEND;TZID=UTC:20240628T113000
DTSTAMP:20260429T100933
CREATED:20240606T092549Z
LAST-MODIFIED:20240701T150142Z
UID:1915-1719568800-1719574200@liviamalossi.com
SUMMARY:KLANG-ORE x Lorenzo Dari's Graduation Concert
DESCRIPTION:Lorenzo Dari Percussion Master Degree Graduation Concert.\nConservatorio G.B. Martini di Bologna\, Aula Fugazza. \nKLANG-ORE Project \nMusic by Riccardo Perugini\, Lorenzo Dari\, Alessandro Pivetti\, Vahid Efthekar Hosseini\, Pedram Pishkar\, Marco Pedrazzi\, Livia Malossi Bottignole for solo vibraphone: \n  \nVahid Hosseini (1984)\nsuch-me \nRiccardo Perugini (1996)\nCourante Alternatif \nAlessandro Pivetti (1984)\nGrimoire \nPedram Shekari (1987)\nLa parola perduta \nSimon Kravos (1999)\nPchlbl * \nLivia Malossi (1996)\nCartografie di un’assenza \nMarco Pedrazzi (1994)\nQualche ricordo di te \nLorenzo Dari (2000)\n… eppure i ciliegi sono in fiore… * \n  \n* prima esecuzione assoluta
URL:https://liviamalossi.com/event/klang-ore-x-lorenzo-daris-graduation-concert/
LOCATION:Conservatorio G.B. Martini di Bologna\, Piazza Rossini\, 2\, Bologna\, 40126\, Italy
CATEGORIES:Concert
ATTACH;FMTTYPE=image/jpeg:https://liviamalossi.com/wp-content/uploads/2024/06/avatars-bNdrlADFuKLmyyVT-xsOzjw-t1080x1080.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20240627T183000
DTEND;TZID=UTC:20240627T193000
DTSTAMP:20260429T100933
CREATED:20240602T101212Z
LAST-MODIFIED:20240602T101212Z
UID:1912-1719513000-1719516600@liviamalossi.com
SUMMARY:Sharpener Quartet Premiére
DESCRIPTION:“Sharpener Quartet”\, a fixed media piece for amplified electric sharpener quartet is gonna be premiered on June 27th in New Music Lab\, at Koninklijk Conservatorium Den Haag. \nWritten under the guidance of Hugo Morales Murguia.
URL:https://liviamalossi.com/event/sharpener-quartet-premiere/
LOCATION:Royal Conservatoire The Hague\, Spuiplein 150\, The Hague\, The Netherlands\, 2511DG\, Netherlands
CATEGORIES:Concert
ATTACH;FMTTYPE=image/jpeg:https://liviamalossi.com/wp-content/uploads/2024/06/fichero_electric_pencil_sharpener_1_4jpg-ezgif.com-webp-to-jpg-converter.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20240622T200000
DTEND;TZID=UTC:20240622T210000
DTSTAMP:20260429T100933
CREATED:20240312T183719Z
LAST-MODIFIED:20240312T183719Z
UID:1855-1719086400-1719090000@liviamalossi.com
SUMMARY:11\,000 Saiten – Holland Festival
DESCRIPTION:Fifty pianos in a large circle in the Gashouder in Amsterdam. They form the starting point for an overwhelming composition\, sometimes of ethereal beauty and at other times swelling menacingly to a thundering roar. \n11\,000 Saiten\, “11\,000 Strings\,” is the name of this new outsized composition by grandmaster Georg Friedrich Haas. Klangforum Wien asked him to compose a piece for the ensemble and fifty pianos. The idea for this project came about when\, during a visit to a Chinese piano factory\, ensemble-intendant Peter Paul Kainrath was blown off his socks by the sound of dozens of pianos that\, to test them\, were played simultaneously\, mechanically. Haas responded enthusiastically to the request and developed the idea into an impressive\, emotional listening journey\, like music to an invisible film. \nIn 11\,000 Saiten\, each of the fifty pianos is tuned pure on its own\, but in relation to each other they are ‘tuned’ in very small steps: each piano sounds 1/50 of a semitone higher. This creates a surround ‘piano orchestra’ that\, especially in combination with the phenomenal instrumentalists of Klangforum\, offers an immense palette of sound: from pure piano sound and timbres\, which you would swear come from a synthesizer\, to pure noise and penetrating thunder. Add to that the art of Haas\, who never forgets the human touch in his experimentation\, plus the monumental atmosphere of the gasholder: good for an unforgettable experience. \n‘This really is such a crazy idea that there is no option but to say “Yes!”‘\n– Georg Friedrich Haas
URL:https://liviamalossi.com/event/11000-saiten-holland-festival-2/
LOCATION:Gashouder\, Klönneplein 1\, Amsterdam\, 1014DD\, Netherlands
CATEGORIES:Concert
ATTACH;FMTTYPE=image/jpeg:https://liviamalossi.com/wp-content/uploads/2024/03/a1PAb00000012DmMAI_1660x727.jpeg
ORGANIZER;CN="Het Holland Festival":MAILTO:kas@hollandfestival.nl
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20240622T160000
DTEND;TZID=UTC:20240622T170000
DTSTAMP:20260429T100933
CREATED:20240312T183411Z
LAST-MODIFIED:20240312T183411Z
UID:1850-1719072000-1719075600@liviamalossi.com
SUMMARY:11\,000 Saiten  - Holland Festival
DESCRIPTION:Fifty pianos in a large circle in the Gashouder in Amsterdam. They form the starting point for an overwhelming composition\, sometimes of ethereal beauty and at other times swelling menacingly to a thundering roar. \n11\,000 Saiten\, “11\,000 Strings\,” is the name of this new outsized composition by grandmaster Georg Friedrich Haas. Klangforum Wien asked him to compose a piece for the ensemble and fifty pianos. The idea for this project came about when\, during a visit to a Chinese piano factory\, ensemble-intendant Peter Paul Kainrath was blown off his socks by the sound of dozens of pianos that\, to test them\, were played simultaneously\, mechanically. Haas responded enthusiastically to the request and developed the idea into an impressive\, emotional listening journey\, like music to an invisible film. \nIn 11\,000 Saiten\, each of the fifty pianos is tuned pure on its own\, but in relation to each other they are ‘tuned’ in very small steps: each piano sounds 1/50 of a semitone higher. This creates a surround ‘piano orchestra’ that\, especially in combination with the phenomenal instrumentalists of Klangforum\, offers an immense palette of sound: from pure piano sound and timbres\, which you would swear come from a synthesizer\, to pure noise and penetrating thunder. Add to that the art of Haas\, who never forgets the human touch in his experimentation\, plus the monumental atmosphere of the gasholder: good for an unforgettable experience. \n‘This really is such a crazy idea that there is no option but to say “Yes!”‘\n– Georg Friedrich Haas \n 
URL:https://liviamalossi.com/event/11000-saiten-holland-festival/
LOCATION:Gashouder\, Klönneplein 1\, Amsterdam\, 1014DD\, Netherlands
CATEGORIES:Concert
ATTACH;FMTTYPE=image/jpeg:https://liviamalossi.com/wp-content/uploads/2024/03/a1PAb00000012DmMAI_1660x727.jpeg
ORGANIZER;CN="Het Holland Festival":MAILTO:kas@hollandfestival.nl
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20240613T183000
DTEND;TZID=UTC:20240613T193000
DTSTAMP:20260429T100933
CREATED:20240510T083453Z
LAST-MODIFIED:20240510T083453Z
UID:1877-1718303400-1718307000@liviamalossi.com
SUMMARY:Graduation Concert - Koninklijk Conservatorium Den Haag
DESCRIPTION:Composition Department Graduation Concert.\nProgram TBA\nNew composition for flute\, live electronics\, and ice w/ Petra Valtellina.
URL:https://liviamalossi.com/event/graduation-concert-koninklijk-conservatorium-den-haag/
LOCATION:Royal Conservatoire The Hague\, Spuiplein 150\, The Hague\, The Netherlands\, 2511DG\, Netherlands
CATEGORIES:Concert
ATTACH;FMTTYPE=image/png:https://liviamalossi.com/wp-content/uploads/2024/05/images-1.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20240602T120000
DTEND;TZID=UTC:20240602T140000
DTSTAMP:20260429T100933
CREATED:20240510T084941Z
LAST-MODIFIED:20240510T084941Z
UID:1883-1717329600-1717336800@liviamalossi.com
SUMMARY:TRANSHUMAN[CE] live at Trame Sonore - Mantova
DESCRIPTION:Italian premiere of TRANSHUMAN[CE] for string trio\, commissioned by Versoi Ensemble in 2021. \nWunderkammer\nElisa Prosperi\, voce\nAlma Napolitano\, violino\nPietro Fabris\, viola\nEnrico Mignani\, violoncello\nRocco Castellani\, contrabbasso\nGian Maria Matteucci\, clarinetto\nMichele Fontana\, clarinetto\ne clarinetto basso\nTommaso Ussardi\, direttore \nVirtual Landscape\nS. Sciarrino (1947)\nDue risvegli e il vento per soprano\, clarinetti\, violino\, viola e violoncello\nD. Sillato (1972)\nKòrdax per viola\, contrabbasso\, clarinetto\, clarinetto basso\nG. Gurioli (1985)\nColouir de noir per violoncello solo\nA. Santimone (1974)\nThree Pills per clarinetto\, clarinetto basso\, violino\, viola\, violoncello\, contrabbasso\nG. Ligeti (1923-2006)\nDue canti da Sandor Weöres\nRielaborazione per voce\, violino\, violoncello\, e contrabbasso di D. Sillato\nL. Malossi (1996)\nTRANSHUMAN[CE] per violino\, viola e violoncello
URL:https://liviamalossi.com/event/transhumance-live-at-trame-sonore-mantova/
LOCATION:Museo Archeologico Nazionale di Mantova\, Piazza Sordello\, 27\, Mantova\, 46100\, Italy
CATEGORIES:Concert
ATTACH;FMTTYPE=image/jpeg:https://liviamalossi.com/wp-content/uploads/2024/05/immagine_grafica_24-scaled-1.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20240517T120000
DTEND;TZID=UTC:20240517T180000
DTSTAMP:20260429T100933
CREATED:20240505T180002Z
LAST-MODIFIED:20240510T083856Z
UID:1860-1715947200-1715968800@liviamalossi.com
SUMMARY:VIBROTAXIS Exhibition @WEST Den Haag
DESCRIPTION:Vibrotaxis Exhibition at WEST\, Den Haag. \nFinal exhibition of the Sound Installation class by Justin Bennett’s students. \nSound Loom \n\n\n\nMultidisciplinary Research Project & Haptic Audiovisual Installation\n\n\n\nby Livia Malossi Bottignole and Daniel Lythgoe\n  \nComplete program TBA.
URL:https://liviamalossi.com/event/sound-loom-west-den-haag-exhibition/
LOCATION:WEST Den Haag\, Lange Voorhout 102\, Den Haag\, 2514EJ\, Netherlands
CATEGORIES:Concert
ATTACH;FMTTYPE=image/jpeg:https://liviamalossi.com/wp-content/uploads/2024/05/Project-Description-Sound-Loom-Livia-Malossi-Daniel-Lythgoe-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20240516T143000
DTEND;TZID=UTC:20240516T160000
DTSTAMP:20260429T100933
CREATED:20240602T091702Z
LAST-MODIFIED:20240602T091702Z
UID:1893-1715869800-1715875200@liviamalossi.com
SUMMARY:Rodo Nijhoff Graduation Concert
DESCRIPTION:Rodo Nijhoff will play “Hummingbird Pulse” (2023) by Livia Malossi Bottignole for viola.
URL:https://liviamalossi.com/event/rodo-nijhoff-graduation-concert/
LOCATION:Royal Conservatoire The Hague\, Spuiplein 150\, The Hague\, The Netherlands\, 2511DG\, Netherlands
CATEGORIES:Concert
ATTACH;FMTTYPE=image/jpeg:https://liviamalossi.com/wp-content/uploads/2024/06/hku-conservatorium-klassieke-muziek-rodo-nijhoff-kloostertuin-foto-ed-verhoeven.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20240513T130000
DTEND;TZID=UTC:20240513T143000
DTSTAMP:20260429T100933
CREATED:20240510T085403Z
LAST-MODIFIED:20240510T085403Z
UID:1888-1715605200-1715610600@liviamalossi.com
SUMMARY:Noord Nederlands Orkest "On a Tightrope" Recording
DESCRIPTION:Recording of “On a Tightrope” for orchestra. \nPlayed by Noord Nederlands Orkest \nConducted by Benjamin Perry Wenzelberg
URL:https://liviamalossi.com/event/noord-nederlands-orkest-on-a-tightrope-recording/
LOCATION:Grote Zaal van De Oosterpoort\, Trompsingel 27\, Groningen\, Tromp9724DA\, Netherlands
CATEGORIES:Video & Broadcast
ATTACH;FMTTYPE=image/png:https://liviamalossi.com/wp-content/uploads/2024/05/NNO_Logo.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20240425T200000
DTEND;TZID=UTC:20240425T210000
DTSTAMP:20260429T100933
CREATED:20240224T223704Z
LAST-MODIFIED:20240224T223756Z
UID:1837-1714075200-1714078800@liviamalossi.com
SUMMARY:Dream of the Siren at WORM\, Rotterdam (NL)
DESCRIPTION:Dream of the Siren is a research project exploring applications of artificial intelligence programs in contemporary music. This project aims to exploit the “failures” of currently available AI technology\, such as uncanny voice clonings\, highly random text suggestions\, repetitive musical structures\, and illogical musical transitions. The project seeks to find a path to artistically fulfilling co-existence with the threat of AI. Both composers explore this concept within the archetype of the siren—the shapeshifting\, grotesque mirror of humanity’s dreams. \nNiko Schroeder researches a new AI-assisted piece created with text structures based on the dreams of humanity. Livia Malossi researches the utopian labour dynamics of AI voice cloning and electronic media generation with AI chess programs. Vanessa Guinadi is the co-researcher and producer of the project. This project is also supported by the Stichting de Zaaier Research Grant. \nEnsemble EchoLab:\nVanessa Guinadi\, soprano\nKristia Michael\, soprano\nJasperina Verheij\, mezzosoprano  \n 
URL:https://liviamalossi.com/event/dream-of-the-siren-at-worm-rotterdam-nl/
LOCATION:WORM\, Rotterdam\, Boomgaardsstraat 71\, Rotterdam\, 3012XA\, Netherlands
CATEGORIES:Concert
ATTACH;FMTTYPE=image/png:https://liviamalossi.com/wp-content/uploads/2024/02/Schermata-2024-02-24-alle-23.33.34.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20240423T193000
DTEND;TZID=UTC:20240423T203000
DTSTAMP:20260429T100934
CREATED:20240505T174731Z
LAST-MODIFIED:20240505T174731Z
UID:1857-1713900600-1713904200@liviamalossi.com
SUMMARY:Soundscape - Korzo Theater
DESCRIPTION:Royal Conservatory of Music & Royal Academy of Arts presents: Soundscape – Madame Citron \nA collaboration between the Royal Academy of Art (KABK) and the Royal Conservatoire (KONCON). This performance is part of Spring Festival. \n\n24zzz\nLai Keng Lam \n\nThe Box\nLaura Modoni\, Loona Dusser\, Delara Navaey\, Katarina Kadijevic \n\nThe Garden\nKaat Vanhaverbeke\, Tim Dekker \n\nDe verbintenis ligt in de ketens/ik overstijg de kooi\nIsa Zichterman\, Alper Cekinmez\, Famke Roozen \nMelting Paper\nLivia Malossi\, Panna Drenkó \nAlper Il\nAlper Cekinmez\, Thomas Wenas\, Jasper de Bock \nBlue\nBeverly Lau\, Basia Jagiello\, Katherine Teng\, Hao-Teng Lui\, Pedro Latas \nBeautiful sludge\nMaja Mikulska\, Mads Rosairus \n\nApple Pie\nJulia Wlaztowska\, Klara Kovacie\, Panna Drenkó \n\nSuziephones\nSuzie Veldhuijzen\, Jonathan Veldhuijzen\, Kaat Vanoverbeke\, Alessia Campanella\, Andrew Macleod \n\nListening to the unknown\nJulia Wlazkowska \n\nLa Machine\nTim Dekker\, Kaat Vanhaverbeke\, Alper Cekinmez\, João Brito \n\nLike a bird or spirit\nYicheng Geng \n  \n  \nParticipating students\nRoyal Academy of Art (KABK):\nJulia Wlazrowska\, Alper Çekinmez\, Suzie Veldhuijzen\, Klara Kovacic\, Beverly Lau\, Isa Zichterman\, Panna Drenkó\, Maja Mikulska\, Mads Rosairus\, Laura Modoni\, Tim Dekker\, Loona Dusser\, Bashia Jagiello\, Yicheng Geng \nRoyal Conservatoire (KONCON):\nStoudt\, Nick Holonyak\, Bartolomeo Cristofori\, Fe and Noah Jasper de Bock\, Arefeh Hekmatpanah\, Lai Keng Lam\, Hao-Teng Kiximba\, Julia and Maxim Antoc-Lui\, Livia Malossi\, Delara Navaey\, hin\, Mehmet Faruk Cekinmez\, Katherine Teng\, Kaat Vanhaverbeke\, Sevgi Cekinmez\, Loes Schaken-Thomas Wenas\, Katarina Kadijevic bos\, Charlotte Zonneveld\, Micah Westera\, Donna van West\, Lyndsey Housen\, Janine Huizenga and of last but not least Alfred Jarry. \nKONCON Coordinator\nErika Bordon \nThanks to\nKorzo Theatre\, Bas Vissers\, Lisette van der Linden\, Wilbert van den Boogert\, Albert Tulling\, Bregtje van Jole\, Leonie ten Duis\, Laurien en Derk Dumbar\, Lisa van den Heuvel\, Diego \nGrandry\, Tivadar Puskás\, Vesta \nConcept\nMartijn Padding (KONCON)\nGert Dumbar (KABK) \nGuidance\nMartin Padding (KONCON)\nGert Dumbar (KABK)\nYannis Kyriakides (KONCON)\nGenevieve Murphy (KONCON)\nPedro Latas (KONCON)\nBrecht Hoffmann (KABK)\nLara Silva Santos (KABK)\nDramaturgy\nKeren Levi
URL:https://liviamalossi.com/event/soundscape-korzo-theater/
LOCATION:Korzo theater\, Prinsestraat 42\, Den Haag\, 2513 CE\, Netherlands
CATEGORIES:Concert
ATTACH;FMTTYPE=image/jpeg:https://liviamalossi.com/wp-content/uploads/2024/05/WhatsApp-Image-2024-05-05-at-19.44.51.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240420T190000
DTEND;TZID=America/New_York:20240420T200000
DTSTAMP:20260429T100934
CREATED:20230810T164325Z
LAST-MODIFIED:20240102T101406Z
UID:1632-1713639600-1713643200@liviamalossi.com
SUMMARY:Virtual Landscape in St. Paul\, Minnesota (US)
DESCRIPTION:Virtual Landscape 001 is gonna be performed once again\, this time at Studio Z in San Paul\, Minneapolis. \nVirtual Landscape 001 won the 113 collective call for scores of the season 2022.
URL:https://liviamalossi.com/event/virtual-landscape-in-st-paul-minnesota/
LOCATION:Studio Z\, 275 4th St E UNIT 200\, St Paul\, 55101\, United States
CATEGORIES:Concert
ATTACH;FMTTYPE=image/jpeg:https://liviamalossi.com/wp-content/uploads/2023/08/113-logo-sticker-300x300-1.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20240419T203000
DTEND;TZID=UTC:20240419T220000
DTSTAMP:20260429T100934
CREATED:20240102T103828Z
LAST-MODIFIED:20240102T104751Z
UID:1747-1713558600-1713564000@liviamalossi.com
SUMMARY:LE CITTÀ INVISIBILI - Teatro Comunale di Ferrara
DESCRIPTION:di Italo Calvino \nCollettivo Istantanea \nflauto\, flauto basso Alessandro Lo Giudice\nclarinetto\, clarinetto basso Daniele D’Alessandro\nviolino Alma Napolitano\nviola Pietro Fabris\nvioloncello Enrico Mignani\npianoforte Denis Zardi\nelettronica Francesco Bigoni \ndirettore Tommaso Ussardi \nmusiche di \nGioia Gurioli\, Alfonso Santimone\, Francesco Bigoni\, Dimitri Sillato\, Livia Malossi\, Denis Zardi\, Andrea Agostini \nscenografie e coreografie \nIstantanea \nproduzione Fondazione Teatro Comunale di Ferrara \n  \nIn occasione delle celebrazioni per il 100° anno dalla nascita di Italo Calvino\, nel 2023\, Istantanea coglie l’opportunità di confrontarsi con un autore che fu spericolato sperimentatore di linguaggi e generi; nella prosa di Calvino\, alla lucidità della descrizione analitica\, fanno da costante contrappunto il lirismo e l’ironia\, sostanziati da una riflessione profonda e disingannata sul senso ultimo dell’esistenza umana: “le città invisibili sono un sogno che nasce dal cuore delle città invivibili.” In un lavoro che cattura in uno sguardo diverse forme artistiche\, le musiche originali\, composte ed eseguite dai membri di Istantanea\, si intrecciano a coreografie e scenografie visionarie dando vita ad una molteplicità di luoghi\, visibili e invisibili\, scanditi dalla dialettica tra il mondo del reale e quello dell’ideale. \nPrima della Prima\ngiovedì 11 aprile\, ore 17.30 – Ridotto del Teatro \nConferenza di introduzione all’opera\ncon il Collettivo Istantanea\nmodera Piero Di Domenico – giornalista e docente Dams\, Università di Bologna \nINGRESSO LIBERO \nL’attività è realizzata grazie al contributo concesso alla Biblioteca della Fondazione Teatro Comunale dalla\nDirezione generale Educazione\, ricerca e istituti culturali del Ministero della cultura \n 
URL:https://liviamalossi.com/event/le-citta-invisibili-teatro-comunale-di-ferrara/
LOCATION:Teatro Comunale di Ferrara\, Corso Martiri della Libertà\, 5\, Ferrara\, FE\, 44121\, Italy
CATEGORIES:Concert
ATTACH;FMTTYPE=image/png:https://liviamalossi.com/wp-content/uploads/2023/11/ISTANTANEA-trsp-1.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20240414T210000
DTEND;TZID=UTC:20240414T220000
DTSTAMP:20260429T100934
CREATED:20240312T182540Z
LAST-MODIFIED:20240312T182540Z
UID:1845-1713128400-1713132000@liviamalossi.com
SUMMARY:Pietro Fabris\, solo violin
DESCRIPTION:programme featuring “Hummingbird Pulse” by Livia Malossi\, for violin solo.
URL:https://liviamalossi.com/event/pietro-fabris-solo-violin/
LOCATION:Ferrara Jazz Club\, via Rampari di Belfiore\, 167\, Ferrara\, 44121\, Italy
CATEGORIES:Concert
ATTACH;FMTTYPE=image/jpeg:https://liviamalossi.com/wp-content/uploads/2024/03/Logo-Jazz-ezgif.com-webp-to-jpg-converter.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20240316T140000
DTEND;TZID=UTC:20240316T160000
DTSTAMP:20260429T100934
CREATED:20240306T152803Z
LAST-MODIFIED:20240312T182744Z
UID:1842-1710597600-1710604800@liviamalossi.com
SUMMARY:Play! Final Performance
DESCRIPTION:Play – breaking the boundaries between listening and performing\nFeaturing Joe Puglia\, Cristiano Viviani\, students of the Koninklijk Conservatorium and audience.\n\n\n\n\n\nThis laboratory investigates the way audience and performers collaborate to produce musical meanings. \n\n\n\n\n\n\nThe group will explore music across genres and through history\, from Bach to the present day\, work on listening meditations\, and reflect on our collective musical experiences. Musicians from the Royal Conservatory will perform\, and audience members will be invited to explore music written for non-musicians. \nWe invite everyone to reflect on our collective ownership of sound\, and what makes a concert worthwhile. The last session will be a performance\, inspired by explorations together. \nThe pieces “Hummingbird Pulse” for violin solo will be played by Joe Puglia\, and the piece “let DancingDots = [dance ]” will be premiered by the ensemble of the participant to the workshop.
URL:https://liviamalossi.com/event/play-final-performance/
CATEGORIES:Concert
ATTACH;FMTTYPE=image/jpeg:https://liviamalossi.com/wp-content/uploads/2024/03/img19024_orig-ezgif.com-webp-to-jpg-converter.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20240305T200000
DTEND;TZID=UTC:20240305T220000
DTSTAMP:20260429T100934
CREATED:20230919T164505Z
LAST-MODIFIED:20230919T164505Z
UID:1653-1709668800-1709676000@liviamalossi.com
SUMMARY:"La Voix du Pianiste" - Piano Spheres Festival\, Los Angeles
DESCRIPTION:Genevieve Feiwen Lee – La Voix du Pianiste\n  \nTuesday March 5th at 8PM: Genevieve Feiwen Lee at Thayer Hall \nGuest pianist Genevieve Feiwen Lee will present “La Voix du Pianiste” or Voice of the Pianist.  Ms. Lee will present a program that features speaking and singing with keyboards.  Performing on piano\, toy piano\, harpsichord\, and other percussion instruments\, Genevieve will be utilizing her voice in three languages.  Works will include world premieres by Chris Castro and Livia Malossi Bottignole\, plus Gao Ping’s Daydreams\, and Kurt Rohde’s Famous Last Words for speaking keyboard player and assorted items.
URL:https://liviamalossi.com/event/la-voix-du-pianiste-piano-spheres-festival-los-angeles/
LOCATION:Thayer Hall at the Colburn School\, 200 S Grand Ave\, Los Angeles\, CA 90012\, United States
CATEGORIES:Concert
ATTACH;FMTTYPE=image/jpeg:https://liviamalossi.com/wp-content/uploads/2023/09/Pomona-Genevieve-Lee-Pianist-2018-16-scaled-1.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20231208T200000
DTEND;TZID=UTC:20231208T210000
DTSTAMP:20260429T100934
CREATED:20231108T174806Z
LAST-MODIFIED:20231108T174806Z
UID:1699-1702065600-1702069200@liviamalossi.com
SUMMARY:Ruzie at "My Oma"\, by Het Leve Duo
DESCRIPTION:Jasperina Verheij and Mathilde Lettinga are gonna perform “Ruzie” for “My Oma”\, an exhibition in Kunstinstituut Melly. \nFrom the website: \nKunstinstituut Melly welcomes you to celebrate the opening of our upcoming exhibition My Oma\, a curatorial project focusing on the figure of the grandmother. This opening reception will take place as part of our festive opening weekend from 8—10 December featuring a rich program of performances\, talks\, music\, culinary experiences and celebratory events. \nAmongst other programs\, this weekend will feature Melly X Amarte: Music for My Oma. In this collaboration with the Amarte Fund\, we will present musicians and sound artists who respond to the theme of the exhibition and its artworks throughout the opening night on 8 December and the opening weekend. To stay updated on our programs follow us on Instagram\, Facebook and Twitter or visit the Engage page of our website. \nMy Oma is the closing exhibition and public engagement project of Sofía Hernández Chong Cuy’s tenure as the director of Kunstinstituut Melly. It marks her six years of transformational institutional work here\, which began in January 2018 and concludes in December 2023. The exhibition and its parallel projects result from curatorial research and public outreach conducted by her and her team—including curators Rosa de Graaf\, Jessy Koeiman\, Julija Mockutė\, and Vivian Ziherl—during this span of time.
URL:https://liviamalossi.com/event/ruzie-at-my-oma-by-het-leve-duo/
LOCATION:Kunstinstituut Melly\, Witte de Withstraat 50\, Rotterdam\, Witte3012BR\, Netherlands
CATEGORIES:Concert
ATTACH;FMTTYPE=image/jpeg:https://liviamalossi.com/wp-content/uploads/2023/11/DHE_10083_B_2.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20231207T193000
DTEND;TZID=UTC:20231207T210000
DTSTAMP:20260429T100934
CREATED:20230919T170546Z
LAST-MODIFIED:20230919T170546Z
UID:1667-1701977400-1701982800@liviamalossi.com
SUMMARY:KOnStruCt #25
DESCRIPTION:Slagwerk Den Haag\, the Royal Conservatoire and Korzo Theater have initiated a series of research projects where collaboration and innovation are central. During KOnStruCt\, new ideas and experiments by composers and percussionists from the Royal Conservatoire are presented in a Korzo concert. \nMusic by Livia Malossi Bottignole\, Zeynep Oktar\, Katherine Teng.\nPerformers: Kalina Vladovska\, Te-Ping Teng and Dylan Hato. \n  \nhttps://www.koncon.nl/en/events/konstruct-25?d=1b330326
URL:https://liviamalossi.com/event/konstruct-25/
LOCATION:Korzo theater\, Prinsestraat 42\, Den Haag\, 2513 CE\, Netherlands
CATEGORIES:Concert
ATTACH;FMTTYPE=image/jpeg:https://liviamalossi.com/wp-content/uploads/2023/09/812_6405_2023-08-10-152001_ymot.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20231203
DTEND;VALUE=DATE:20231204
DTSTAMP:20260429T100934
CREATED:20230919T172730Z
LAST-MODIFIED:20231108T175218Z
UID:1682-1701561600-1701647999@liviamalossi.com
SUMMARY:Luoghi terrestri\, Luoghi celesti - Elide Sulsenti live at JazzClub Ferrara
DESCRIPTION:Luoghi terrestri\, Luoghi celesti\nLuciano Berio – Sequenza XIV (2002)\nGioia Gurioli – Couloir du Noir (2018)\nKrzysztof Penderecki – Capriccio per Siegfried Palm (1968)\nLivia Malossi – Places (2021)\nKaija Saariaho – Sept Papillons (2000)\nDurata totale circa 50’\n[Serico-Tonale] A cura di Istantanea Aps. \n\n  \n\n“Tra le righe di questo programma si nascondono linguaggi ed idiomi che spiegano nelle loro evoluzioni l’anima del nostro tempo\, a par8re da alcuni dei brani “manifesto” della tradizione moderna e contemporanea\, inframezzati dalle loro più recenti ed uniche derivazioni.\nIl concerto si apre con la celebre Sequenza XIV dell’italiano Luciano Berio. Vengono usate le corde\, naturalmente\, con l’arco e con diversi modi\, anche inedito\, di contatto diretto con le mani\, ma viene anche usata la cassa del violoncello come fosse uno strumento a percussione. Vengono contrapposti\, assimilati e sviluppati moduli ritmici tradizionali dello Sri Lanka\, il paese d’origine del dedicatario. Il dialogo fra le dimensioni orizzontale e verticale\, fra melodia e armonia\, \ne quindi anche fra suono e rumore è costante. Sequenza XIV sviluppa un clima espressivo quanto mai instabile e diversificato.\nSegue poi il brano di Gioia Gurioli\, “Couloir du Noir” per violoncello solo e voce. Letteralmente “corridoio del nero”\, si propone di essere un “negativo” dell’immagine musicale. Per citare la compositrice “Mi piacerebbe che del “corpo” del mio brano rimanesse l’alone\, la luce tensiva\, il ricordo di un’emozione\, quando il nero ha negato alle nostre orecchie qualunque altra via di accesso.” \nTerzo brano è il Capriccio per Siegfried Palm del polacco K. Penderecki. Rappresentativo della “musica concreta”\, l’ascoltatore si trova davanti ad un campionario di suoni unici sul violoncello che girano intorno ad un ricorrente accordo maggiore\, che assume un carattere comico\, quasi di spaesamento.\nIl penultimo ascolto è la recente composizione di Livia Malossi “Places”. In un clima di grande lirismo\, Places è un’esplorazione del complesso dialogo tra timbro e armonia\, che solo uno strumento come il violoncello può esprimere con tale potenza e intimità allo stesso tempo. Il brano si ispira allo sguardo rinnovato degli spazi infantili della compositrice dopo quasi due anni di assenza a causa della pandemia di Covid-19. Per citare la compositrice stessa “Places è la mia personale trasposizione musicale della sensazione ottenuta alla vista di spazi grandi e ampi che non possono essere vissu8 in una grande ci[à\, vivendo nel centro tra enormi mura grigie.”\nChiude il concerto il delicato “Sept Papillons” di Kaija Saariaho. Il brano consiste in se[e miniature che la compositrice stese dopo aver lavorato per lungo tempo alla sua opera “L’Amour de Loin”\, che tra[ava di tema8che imperiture\, come l’amore e la morte. Con queste brevi ed impalpabili composizioni volle dunque affrontare un mondo totalmente diverso\, l’effimero\, il fragile\, il mondo delle farfalle.”
URL:https://liviamalossi.com/event/luoghi-terrestri-luoghi-celesti-elide-sulsenti/
CATEGORIES:Concert
ATTACH;FMTTYPE=image/jpeg:https://liviamalossi.com/wp-content/uploads/2023/09/e6ddc867-abe7-4e77-8bc1-a15e25885827.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20231202T203000
DTEND;TZID=UTC:20231202T203000
DTSTAMP:20260429T100934
CREATED:20231108T175501Z
LAST-MODIFIED:20231108T180235Z
UID:1705-1701549000-1701549000@liviamalossi.com
SUMMARY:Luoghi terrestri\, Luoghi celesti - Elide Sulsenti live for Modo InfoShop
DESCRIPTION:Luoghi terrestri\, Luoghi celesti\nLuciano Berio – Sequenza XIV (2002)\nGioia Gurioli – Couloir du Noir (2018)\nKrzysztof Penderecki – Capriccio per Siegfried Palm (1968)\nLivia Malossi – Places (2021)\nKaija Saariaho – Sept Papillons (2000)\nDurata totale circa 50’\na cura di Istantanea \n  \n“Tra le righe di questo programma si nascondono linguaggi ed idiomi che spiegano nelle loro evoluzioni l’anima del nostro tempo\, a par8re da alcuni dei brani “manifesto” della tradizione moderna e contemporanea\, inframezzati dalle loro più recenti ed uniche derivazioni.\nIl concerto si apre con la celebre Sequenza XIV dell’italiano Luciano Berio. Vengono usate le corde\, naturalmente\, con l’arco e con diversi modi\, anche inedito\, di contatto diretto con le mani\, ma viene anche usata la cassa del violoncello come fosse uno strumento a percussione. Vengono contrapposti\, assimilati e sviluppati moduli ritmici tradizionali dello Sri Lanka\, il paese d’origine del dedicatario. Il dialogo fra le dimensioni orizzontale e verticale\, fra melodia e armonia\, \ne quindi anche fra suono e rumore è costante. Sequenza XIV sviluppa un clima espressivo quanto mai instabile e diversificato.\nSegue poi il brano di Gioia Gurioli\, “Couloir du Noir” per violoncello solo e voce. Letteralmente “corridoio del nero”\, si propone di essere un “negativo” dell’immagine musicale. Per citare la compositrice “Mi piacerebbe che del “corpo” del mio brano rimanesse l’alone\, la luce tensiva\, il ricordo di un’emozione\, quando il nero ha negato alle nostre orecchie qualunque altra via di accesso.” \nTerzo brano è il Capriccio per Siegfried Palm del polacco K. Penderecki. Rappresentativo della “musica concreta”\, l’ascoltatore si trova davanti ad un campionario di suoni unici sul violoncello che girano intorno ad un ricorrente accordo maggiore\, che assume un carattere comico\, quasi di spaesamento.\nIl penultimo ascolto è la recente composizione di Livia Malossi “Places”. In un clima di grande lirismo\, Places è un’esplorazione del complesso dialogo tra timbro e armonia\, che solo uno strumento come il violoncello può esprimere con tale potenza e intimità allo stesso tempo. Il brano si ispira allo sguardo rinnovato degli spazi infantili della compositrice dopo quasi due anni di assenza a causa della pandemia di Covid-19. Per citare la compositrice stessa “Places è la mia personale trasposizione musicale della sensazione ottenuta alla vista di spazi grandi e ampi che non possono essere vissu8 in una grande ci[à\, vivendo nel centro tra enormi mura grigie.”\nChiude il concerto il delicato “Sept Papillons” di Kaija Saariaho. Il brano consiste in se[e miniature che la compositrice stese dopo aver lavorato per lungo tempo alla sua opera “L’Amour de Loin”\, che tra[ava di tema8che imperiture\, come l’amore e la morte. Con queste brevi ed impalpabili composizioni volle dunque affrontare un mondo totalmente diverso\, l’effimero\, il fragile\, il mondo delle farfalle.”
URL:https://liviamalossi.com/event/luoghi-terrestri-luoghi-celesti-elide-sulsenti-live-for-modo-infoshop/
LOCATION:Modo Infoshop\, Via Mascarella\, 24b\, Bologna\, 40126\, Italy
CATEGORIES:Concert
ATTACH;FMTTYPE=image/jpeg:https://liviamalossi.com/wp-content/uploads/2023/11/IMG_2546-scaled-e1683121326901.jpeg
END:VEVENT
END:VCALENDAR